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The Week in Art
podcast

The hunt for looted Cambodian objects—are they hidden in the West's museums?

Plus, the dark truth of the Marcos family’s extravagance and Ruth Asawa at Modern Art Oxford

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Hosted by Ben Luke. Produced by David. Clack, Aimee Dawson and Henrietta Bentall
27 May 2022
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Looted objects in the “Conservatory” in Siem Reap, Cambodia Photo: courtesy of BBC

Looted objects in the “Conservatory” in Siem Reap, Cambodia Photo: courtesy of BBC

The Week in Art

From breaking news and insider insights to exhibitions and events around the world, the team at The Art Newspaper picks apart the art world’s big stories with the help of special guests. An award-winning podcast hosted by Ben Luke.

This week: are stolen Cambodian statues hidden in the world’s great public collections? We discuss Cambodia’s looted heritage with Celia Hatton, the Asia Pacific editor and presenter at the BBC World Service, whose documentary for BBC TV and radio Cambodia: Returning the Gods exposes the connections between looters, smugglers and, allegedly, some of the world’s most famous encyclopaedic museums.

The photograph Untitled (February 25, 1986) (2022) depicts Pio Abad’s parents in the Marcoses’ palace after President Ferdinand Marcos was deposed Courtesy of Pio Abad


Plus, the dark truth behind the art and antiques assembled by the Marcos family in the Philippines as they return to power. We talk to the Filipino artist Pio Abad—who’s made art about Ferdinand and Imelda Marcos and their collections for more than a decade—about Bongbong Marcos’s presidential election victory in the Philippines and what that means for the country, and the art and antiquities seized by its government after the Marcoses were deposed in the 1980s.

Ruth Asawa's Untitled (S.266, Hanging Seven-Lobed, Multi-Layered Interlocking Continuous Form within a Form) (1961) Private Collection; courtesy of David Zwirner

And in this episode’s Work of the Week, we discuss a sculpture by Ruth Asawa—Untitled (S.266, Hanging Seven-Lobed, Multi-Layered Interlocking Continuous Form within a Form) (1961)—a highlight of a new exhibition at Modern Art Oxford in the UK, with Emma Ridgway, the show’s co-curator. Remarkably, the solo exhibition is the first in a European institution dedicated to the Japanese-American artist.

• You can read Celia’s report on Cambodian antiquities online here. Cambodia: Returning the Gods (radio version) is on the BBC website and the BBC Sounds app. Cambodia: Returning the Gods (television version) is on iPlayer in the UK and will be shown again on the BBC World news channel, broadcast date to be confirmed

• Pio Abad: Fear of Freedom Makes Us See Ghosts, Ateneo Art Gallery, Ateneo de Manila University, until 30 July, pioabad.com

• Ruth Asawa: Citizen of the Universe, Modern Art Oxford, UK, 28 May-21 August; Stavanger Art Museum, Norway, 1 October-22 January 2023

The Week in ArtPodcastsCambodiaCambodian ArtLootLooted artLootingArt crimePio AbadExhibitionsRuth AsawaModern Art OxfordTextilesSculptureImelda MarcosPoliticsPhilippines
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