Subscribe
Search
ePaper
Newsletters
Subscribe
ePaper
Newsletters
Art market
Museums & heritage
Exhibitions
Books
Podcasts
Columns
Technology
Adventures with Van Gogh
Art market
Museums & heritage
Exhibitions
Books
Podcasts
Columns
Technology
Adventures with Van Gogh
Search
Looted art
news

Jewish collections looted by the Nazis to be examined and traced in new database

The Jewish Digital Cultural Recovery Project will begin with a pilot scheme focusing on the Old Masters collection of Adolphe Schloss, which was seized by the Gestapo

Catherine Hickley
20 November 2020
Share
The interior of Adolphe Schloss's mansion Courtesy of the Museum of the Art and History of Judaism, Paris

The interior of Adolphe Schloss's mansion Courtesy of the Museum of the Art and History of Judaism, Paris

A new database that aims to provide a comprehensive registry of all the Jewish collections looted by the Nazis has announced a pilot project focussing on the fate of the collection of Adolphe Schloss, whose store of Dutch Old Masters was seized by the Gestapo from the French chateau where they had been hidden for safekeeping. One third of the collection is still missing.

The Jewish Digital Cultural Recovery Project, initiated by the Conference on Jewish Material Claims Against Germany and the Commission for Art Recovery, has received funding of €490,000 from the European Union’s Creative Europe programme. In addition to listing both missing and recovered art, it will explore the looting networks and the trade and digitise thousands of documents and photographs from archives.

“It is really a revolutionary project to amass and build a comprehensive database of all cultural objects looted by the Nazis and their allies in order to show fully what was taken, from whom, by whom, and the fate of the objects,” says Wesley Fisher, a member of the executive board of the JDCRP.

While there are already several databases of looted art in existence, none can claim to be fully comprehensive and not all are uniquely focussed on art plundered from Jews in the Nazi era. The JDCRP aims to differentiate itself by taking Jewish collections as its starting-point and using an event-based approach to trace the route the objects took, says the project manager Avishag Ben-Yosef. “We would like to introduce people to a different way of looking at objects and emphasize the different events, art dealers, collectors, family relations, etc. that drove the movement of the objects in the collection,” she says.

The project aims to have an initial mock-up online by the end of June 2021. For more information, visit the Jewish Digital Cultural Recovery Project website.

Looted artNewsRestitutionNazi lootNazisJewish Digital Cultural Recovery Project
Share

Related content

Restitutionnews

Has New York's law aimed at identifying Nazi-looted art in museums worked?

Recent legislation requires institutions to label works they display that was stolen by the Nazis, but some are still unwilling to publish their provenance research

Catherine Hickley
Restitutionarchive

Restitution pledge by US museums remains unfulfilled six years on

Results of survey lay bare how the US fell short

Jason Edward Kaufman
Restitutionarchive

Israel steps up hunt for Nazi-looted art

Museums under pressure to research collections for Holocaust victims’ assets

Laura Gilbert
Subscribe to The Art Newspaper’s digital newsletter for your daily digest of essential news, views and analysis from the international art world delivered directly to your inbox.
Newsletter sign-up
Information
About
Contact
Cookie policy
Data protection
Privacy policy
Frequently Asked Questions
Subscription T&Cs
Terms and conditions
Advertise
Sister Papers
Sponsorship policy
Follow us
Facebook
Instagram
YouTube
LinkedIn
© The Art Newspaper