Subscribe
Search
ePaper
Newsletters
Subscribe
ePaper
Newsletters
Art market
Museums & heritage
Exhibitions
Books
Podcasts
Columns
Technology
Adventures with Van Gogh
Art market
Museums & heritage
Exhibitions
Books
Podcasts
Columns
Technology
Adventures with Van Gogh
Search
News

Montreal’s Max Stern Foundation gets its Bacchus back

The FBI recovered the work when it was offered for sale at the 2015 Spring Masters fair in New York

By David D'Arcy
8 February 2017
Share

Today, the FBI returned the painting, Young Man as Bacchus by the Caravaggist painter Jan Franse Verzijl to representatives of the Montreal-based Max and Iris Stern Foundation, in a ceremony held at New York's Museum of Jewish Heritage. Stern was a German-Jewish art dealer who was forced to close his gallery in Düsseldorf and sell his inventory by the Nazi regime.

The FBI found the picture at the Spring Masters Fair in May 2015, when it was offered for $60,000 by the Galería Soraya Cartategui of Madrid. The Spanish gallery was selling the work in partnership with Galleria Luigi Caretto of Turin, which included Stern’s ownership in a provenance on its website. (The picture was originally attributed to another Dutch Golden Age painter, Salomon de Bray, when it was in Stern’s inventory and when Sotheby’s sold it in 1987.) When they were informed of the claim, the Italian gallery voluntarily waived its ownership of the painting so it could be returned to the estate.

Stern, a prominent dealer who took over his father’s gallery in Düsseldorf, was ousted from the Reich Chamber of Fine Arts in 1935 and forced to sell the art in his gallery and private collection. Around half of the 400 works were sold in 1937 at Lempertz in Cologne. Others, including Young Man as Bacchus, were sold separately, and their status as looted works has been challenged.

“The significance of this painting is, in the long term, strategic, rather than just recovering another painting,” says Willi Korte, who investigated the Bacchus case for the Stern Foundation. When the FBI seized the work, it considered it stolen property that entered the US. “We now have a solid foundation upon which we can place the other paintings as stolen works of art.”

Stern’s estate now benefits the foundation, which has actively worked to track down the missing art, as well as Concordia and McGill Universities in Montreal and the Hebrew University in Jerusalem.

NewsRestitutionLooting
Share
Subscribe to The Art Newspaper’s digital newsletter for your daily digest of essential news, views and analysis from the international art world delivered directly to your inbox.
Newsletter sign-up
Information
About
Contact
Cookie policy
Data protection
Privacy policy
Frequently Asked Questions
Subscription T&Cs
Terms and conditions
Advertise
Sister Papers
Sponsorship policy
Follow us
Facebook
Instagram
YouTube
LinkedIn
© The Art Newspaper