Subscribe
Search
ePaper
Newsletters
Subscribe
ePaper
Newsletters
Art market
Museums & heritage
Exhibitions
Books
Podcasts
Columns
Technology
Adventures with Van Gogh
Art market
Museums & heritage
Exhibitions
Books
Podcasts
Columns
Technology
Adventures with Van Gogh
Search
Conservation
news

Peggy Guggenheim’s Picasso goes a whiter shade of pale

The artist's The Studio restored to its original brightness

Hannah McGivern
22 June 2016
Share

The Peggy Guggenheim Collection in Venice is restoring The Studio (1928), its large painting by Pablo Picasso, to its original brightness. The artist added a fresh layer of white to the canvas shortly after completing the work, to simplify the palette and composition.

Acquired by Peggy Guggenheim from a New York-based dealer in 1942, the work was lined with wax and resin in the late 1960s to prevent cracking and flaking. But the white has yellowed as the wax has risen to the surface, while the other colours have dulled. The Swiss bank BSI is sponsoring the project to conserve and research the work.

Conservation
Share
Subscribe to The Art Newspaper’s digital newsletter for your daily digest of essential news, views and analysis from the international art world delivered directly to your inbox.
Newsletter sign-up
Information
About
Contact
Cookie policy
Data protection
Privacy policy
Frequently Asked Questions
Subscription T&Cs
Terms and conditions
Advertise
Sister Papers
Sponsorship policy
Follow us
Facebook
Instagram
YouTube
LinkedIn
© The Art Newspaper