The opening of Digital Art Fair in Hong Kong is a moment to take stock of how technological developments have changed the nature of digital art

There is more variety than ever in how and why art is funded and the Silicon Valley models have arrived

It is time to think about the extent to which technology itself has power over us, independent of people in tech companies

New technology, and old-world online reviews, have an impact on accounts and accountability in the art market

An NFT drop with Stella was the debut for ARS's digital platform, Arsnl. Now it brings bold patterns to the blockchain with a show of NFTs generated by the coder artist Anna Lucia working with the quiltmakers of Gee's Bend, Alabama

With the power to show works simultaneously in different countries, digital art does not really need to "be" anywhere. But where it is being created, exhibited and funded has a deep impact on how the work is made

Egalitarian and democratic, Decentralised Autonomous Organisations are powerful collecting forces with the potential to reshape the industry

Some of the works being minted on the blockchain are all hype—but some are brilliant conceptual works

Stella’s motivations for minting a non-fungible token could be the solidification of his legacy as a painter’s painter

The sale of works on the blockchain inscribes "promises" within the code—but it is not that simple

As Phillips presents the first ever auction dedicated to the medium, we consider what it is and how it is curated

The emergence of NFTs has ignited the concept of "platforms" in the art world, but they are already everywhere

A Doug Aitken exhibition in Venice shows how VR can be useful to the art world, but the medium has standalone merits