In two-and-a-half months since the inauguration of President Donald Trump, a series of executive orders and other initiatives have attempted systematically to eliminate and defund some of the federal agencies responsible for the distribution of federal money to museums, libraries and other organisations.
The Art Newspaper’s editor-in-chief in the Americas, Benjamin Sutton, joins Ben Luke to discuss what is being seen as an authoritarian and ideologically driven attempt to control cultural activities in taxpayer-funded institutions, restrict free speech and—to use the administration’s own term—“rewrite history”. We also discuss the effect of the economic chaos caused by President Trump’s seesawing on trade tariffs in the past week.
Visitors at Art Basel, Basel in 2024
Courtesy of Art Basel
That same topic is discussed by Clare McAndrew of Arts Economics, the writer of the Art Basel and UBS Art Market Report 2025. The report’s key finding is that global art sales declined by 12% in 2024 and McAndrew discusses this stark statistic and other aspects of the survey.
Mainie Jellett, Decoration (1923) and Evie Hone, Evie Hone, Study for Part of the East Window of Eton College Chapel: Chalice, (around 1949-52)
Jellett: Photo: National Gallery of Ireland; Hone: Reproduced by permission of the Provost and Fellows of Eton College
And this episode’s Works of the Week are by Mainie Jellett and Evie Hone, the two artists in an exhibition subtitled The Art of Friendship at the National Gallery of Ireland in Dublin. Jellett and Hone were key figures in Irish Modernism, and we talk to one of the curators of the exhibition, Brendan Rooney, about Jellett’s painting, Decoration (1923) and Hone’s stained-glass image of a chalice (1948-52), a study for her most famous piece, the East Window of Eton College Chapel in Berkshire, UK.
- The Art Basel and UBS Art Market Report 2025 can be downloaded here
- Mainie Jellett and Evie Hone: The Art of Friendship, National Gallery of Ireland, Dublin, until 10 August.