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The Week in Art
podcast

Can AI unlock the ancient Herculaneum scrolls?

Plus, the appointment of the new Venice Biennale president sparks a political row, and a tender portrait by Dorothea Lange

Sponsored by
Hosted by Ben Luke. Produced by David Clack, Julia Michalska and Alexander Morrison
3 November 2023
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Villa dei Papiri (reconstruction): it was buried when Vesuvius erupted in AD79

Photo: J. Paul Getty Museum

Villa dei Papiri (reconstruction): it was buried when Vesuvius erupted in AD79

Photo: J. Paul Getty Museum

As global political leaders, key figures in the tech industry and academics meet at Bletchley Park in the UK for a two-day summit on artificial intelligence— discussing in particular the risks of these new technologies and how they could be mitigated—we look at a project that reflects AI’s extraordinary potential.

The Vesuvius Challenge aims to use AI to unlock the texts in the papyrus scrolls that were carbonised when the Roman city of Herculaneum was covered in ash and pumice after the eruption of the Vesuvius volcano in 79 AD. Brent Seales, the computer scientist behind the project, discusses the technologies involved and his optimism for a positive outcome. Then, Andrew Wallace-Hadrill, director of research and honorary professor of Roman Studies at Sidney Sussex College, Cambridge, tells us about Herculaneum and the Villa of the Papyri where the scrolls were recovered, and considers what the papyri might contain.

Pietrangelo Buttafuoco's appointment has been seen as one of a series of hirings through which Italy's ruling Brothers of Italy party hopes to make a mark on the country's cultural sector

Photos: Niccolò Caranti via Wikimedia; Bojanikus

In modern-day Italy, the country’s culture minister has designated Pietrangelo Buttafuoco—a right-wing journalist and author whose books include a literary portrait of the notorious former Italian prime minister Silvio Berlusconi—as the next president of the Venice Biennale. It is the latest in a series of appointments that opposition politicians describe as “chilling”. We talk to The Art Newspaper’s correspondent in Italy, James Imam.

Dorothea Lange, Maynard and Dan Dixon, 1930, printed around the 1960s

National Gallery of Art, Washington. Gift of Daniel Greenberg and Susan Steinhauser

And this episode’s Work of the Week is Dorothea Lange’s photograph Maynard and Dan Dixon (1930). Philip Brookman, the curator of a new exhibition dedicated to Lange’s portraiture at the National Gallery of Art in Washington, DC, tells us more.

  • Vesuvius Challenge, visit scrollprize.org
  • Dorothea Lange: Seeing People, National Gallery of Art, Washington, DC, 5 November-31 March 2024
The Week in ArtArtificial intelligenceHerculaneumVenice BiennaleItalian politicsDorothea LangePhotography
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