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Cosmoscow, once Russia’s premier international art fair, opens in building reportedly struck by drone last month

Only one of over 75 participating galleries this year is from abroad—but Russian dealers remain determined to continue business

Sophia Kishkovsky
28 September 2023
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The Expocentre Central Exhibition Complex in Moscow Courtesy of Cosmoscow

The Expocentre Central Exhibition Complex in Moscow Courtesy of Cosmoscow

Cosmoscow was Moscow’s leading international contemporary art fair until Russia invaded Ukraine in 2022. Its 11th edition opens today (until 1 October) and for the second year running with virtually no non-Russian galleries among more than 75 participants. One exception is a Moscow gallery that has recently moved to Dubai: since the war, the emirate has become a refuge for many wealthy Russians.

It is also the second time since 2021 that the fair, which for years was based at Gostiny Dvor near Red Square and the Kremlin, has been subject to a last-minute change in venue. In July it was announced that Cosmoscow had shifted to the Expocentre Central Exhibition Complex in Moscow’s financial district.

The Expocentre was reportedly hit on 18 August by drone strikes that Russian officials have blamed on Ukraine. The city's mayor, Sergey Sobyanin, wrote on the Telegram messaging platform: “Tonight, while attempting to fly to Moscow, a drone was destroyed by air defense forces. The unmanned air vehicle (UAV) debris fell in the Expocenter area, but did not cause significant damage to the building. There were no preliminary casualties.”

Margarita Pushkina, Cosmoscow’s founder and director, did not respond to The Art Newspaper’s requests for comment about plans for this year’s edition.

Taking part in Cosmoscow this year is Alisa Contemporary Art Gallery, which opened in Moscow in 2020 and launched a location in Dubai this year. It will soon be shutting down its Moscow gallery. At the fair, Alisa Contemporary will offer paintings by Kirill Makarov. They are the physical versions of an NFT and video series titled Unveiled, which is on display until 30 September on ioginality, a new online platform. The online versions of these works carry anti-war messages that cannot be advertised in Moscow. But gallery founder Alisa Bagdonaite says that showing a version of them in Moscow is vital to “support those who stay in Russia“, since “there is no activity more opposite to war than art”, adding that “there is no better place for these artworks than Russian private collections”.

Moscow‘s Shaltai Editions, founded by Valeria Rodnyanskaya, an art collector who pioneered limited edition silkscreen prints in Russia, is using this year's Cosmoscow to transition to a new name, Set Projects. The gallery changed hands earlier this year: Rodnyanskaya’s husband, the influential Kyiv-born, Oscar-nominated film producer, Alexander Rodnyansky, has been declared a “foreign agent” for speaking out against Russia’s invasion of Ukraine. A Moscow court ordered his arrest in absentia for “spreading false information” about the Russian army.

Michael Tsarev, a Russian financier now based in Munich, who worked in Kyiv from 2011 to 2021 for companies owned by the billionaire Ukrainian art collector Victor Pinchuk, is participating in The Collector’s Eye exhibition at Cosmoscow and moderating a discussion. He sold part of his art collection earlier this year at Moscow’s Vladey auction house. Tsarev is a co-founder of the Ukrainian Club of Contemporary Art Collectors.

"I maintain contact with Ukrainian artists, gallerists and collectors," Tsarev tells The Art Newspaper. “Some of them have visited me in Munich. They know that I have German nationality therefore I am not ‘the Russian’ for them. And I had never behaved like this.”

Art marketArt fairsMoscowRussiaRussia-Ukraine war
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