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An architect for the centuries: how to share in events marking 300 years since the death of Christopher Wren

Church walking tours, online talks and light art installations in St Paul's Cathedral are some of the events being held to celebrate the work of Britain's most celebrated architect

Louis Jebb
19 September 2023
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Pablo Valbuena's Aura, a sound-activated light installation which hangs over the transept of St Paul's Cathedral London Design Festival. Supported by Bloomberg Philanthropies. Photograph: © Ed Reeve

Pablo Valbuena's Aura, a sound-activated light installation which hangs over the transept of St Paul's Cathedral London Design Festival. Supported by Bloomberg Philanthropies. Photograph: © Ed Reeve

Christopher Wren—one of the giants of British architecture, a master of light and mathematics, and creator of London landmarks including St Paul’s Cathedral, St James's Piccadilly and the Royal Hospital Chelsea—died in 1723 after nearly 50 years at the top of what was still a hazily identified profession of architect. Part of his interest to later generations is his status as a polymath mathematician-architect, caught up with abiding interests in astronomy, anatomy and any number of what are now regarded as scientific specialisms.

London has been the centre of many of the celebrations—from schools events to academic conferences—of the life of its most famous architectural son, promoted by Wren 300, a knowledge resource supported by the Georgian Group and partners including the Royal Institute of British Architects.

Wren's name is indelibly associated with St Paul's, his largest and most complex commission, which acquired a new status as a graphic emblem of resistance, when the white-domed cathedral stood out, in newsreels and press photography, among the searchlights, dust clouds and bombed ruins of the City of London during the Second World War.

The cathedral has been the centre of many of the celebrations of Wren's tri-centenary, including a light art piece, Aura, commissioned by the London Design Festival and Bloomberg Philanthropy from the French-based Spanish artist Pablo Valbuena. A second commission for the festival, Moritz Waldemeyer's Halo, is installed at Wren's first domed church, St Stephen Walbrook, in the City of London; a piece whose light-enhanced pendulum sweeps low over the rim of Henry Moore's celebrated 1972 marble altar.

  • London Design Festival, until 24 September, various locations throughout London
  • On 22 September, Downing College Cambridge hosts a conference on the Professional World of Sir Christopher Wren.
  • The exhibition Wren at Work at Guildhall, City of London (to 28 September), includes a recreation of the architect's site office at St Paul's Cathedral.
  • Simon Thurley, the architectural historian and Chair of the National Lottery Heritage Fund, has given a series of anniversary-year talks on Wren online and in person. On 20 September, he presents new research as part of Wren the Courtier, at the Old Royal Naval College Greenwich, where he examines Wren's relationship with King William III and Queen Mary and how it affected his designs for them at the Royal Hospital Greenwich (now the old Royal Naval College). Thurley's talk is part of the series Wren London, which concludes on 27 October when William Whyte, Professor of Social and Architectural History at Oxford University, delivers Architecture aims at eternity: Wren and church building, at St James's Piccadilly, one of Wren's best known churches.
  • Old Royal Naval College is offering a series of events including special Wren toursof its site at Greenwich.
  • City Guides offers walking tours, City in Spires – A Tour of Wren Churches, weekly until 12 December
Museums & HeritageChristopher WrenSt Paul's CathedralLondon Design Festival
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