Subscribe
Search
ePaper
Newsletters
Subscribe
ePaper
Newsletters
Art market
Museums & heritage
Exhibitions
Books
Podcasts
Columns
Technology
Adventures with Van Gogh
Art market
Museums & heritage
Exhibitions
Books
Podcasts
Columns
Technology
Adventures with Van Gogh
Search
Diary
blog

Calling Mr Bernini to gate 35—artist’s Salvator Mundi sculpture goes on show at Rome airport

Italian government approves display of sculptural icon in new boarding area

The Art Newspaper
18 April 2023
Share
Bernini's Salvator Mundi looks over passengers at Rome's Fiumicino Airport 

courtesy AEROPORTI DI ROMA

Bernini's Salvator Mundi looks over passengers at Rome's Fiumicino Airport

courtesy AEROPORTI DI ROMA

Passengers visiting a swanky new boarding area at Leonardo da Vinci-Fiumicino Airport in Rome will, for the foreseeable future, be greeted by one of Gian Lorenzo Bernini’s most famous sculptural works, Salvator Mundi (around 1679). The marble bust, showing Christ with his hand outstretched, stands in an imposing glass case in the airport lobby (Jesus is no doubt granting benediction to those leaving on flight BA345 to Manchester). The sculptural bust, initially intended as a gift for Queen Christina of Sweden, is usually on show in a church in Rome (the Basilica of San Sebastiano) but in a special arrangement with the Italian Interior Ministry, the work will remain on view for around four weeks according to local press reports. “The display is part of the more general strategy of the Leonardo da Vinci [airport] to promote local and national art and culture among Italian and foreign passengers,” says an airport statement. According to the News in Germany website: “Next to it, the colourful display boards for the flights flicker, opposite is the restaurant chain Eataly."

Salvator Mundi is nestled amongst flight indicator boards and restaurants

courtesy Aeroporti di Roma

DiarySalvator MundiGian Lorenzo Bernini SculptureRome
Share
Subscribe to The Art Newspaper’s digital newsletter for your daily digest of essential news, views and analysis from the international art world delivered directly to your inbox.
Newsletter sign-up
Information
About
Contact
Cookie policy
Data protection
Privacy policy
Frequently Asked Questions
Subscription T&Cs
Terms and conditions
Advertise
Sister Papers
Sponsorship policy
Follow us
Facebook
Instagram
YouTube
LinkedIn
© The Art Newspaper