Subscribe
Search
ePaper
Newsletters
Subscribe
ePaper
Newsletters
Art market
Museums & heritage
Exhibitions
Books
Podcasts
Columns
Technology
Adventures with Van Gogh
Art market
Museums & heritage
Exhibitions
Books
Podcasts
Columns
Technology
Adventures with Van Gogh
Search
Art market
news

European Commission clamps down further on ivory trade

Restrictions upgraded as part of new EU Directive against environmental crime and, although targeted at raw ivory, will “suspend issuing certificates for worked specimens acquired after 1947 except for pre-1975 musical instruments"

Ivan Macquisten
17 December 2021
Share
The new rules are aimed primarly at stopping the trade in raw ivory but will also impact some worked antique items

Photo: Pawan Sharma

The new rules are aimed primarly at stopping the trade in raw ivory but will also impact some worked antique items

Photo: Pawan Sharma

The European Commission has upgraded its ivory trade restrictions as part of a proposal for a new EU Directive against environmental crime. The new rules will come into effect on 19 January, 2022.

Although targeted chiefly at banning trade in raw ivory, the Commission is to “suspend issuing certificates for worked specimens acquired after 1947 except for pre-1975 musical instruments. This will limit the internal trade in worked items to pre-1947 antiques and pre-1975 musical instruments.”

It is also clamping down on EU imports and re-exports, although allowances are being made for the movement of family heirlooms, the exchange of cultural goods between reputable institutions and for the purpose of enforcement, scientific of educational study.

However, the Commission advises: “It is recommended that the conditions for issuing re-export certificates for the above exceptions are strictly interpreted.”

The tighter restrictions are announced in a document that acknowledges the low level of risk posed by antiques: “It is highly unlikely that internal EU trade of pre-1947 antiques or pre-1975 musical instruments would contribute to illegal trade of ivory or demand for illegal ivory, given also that such remaining trade will be strictly controlled.”

However, the paperwork and potential costs of compliance are likely to make much trade uneconomic, while the burden of proving the legality of an item falls more heavily on the applicant under the EU’s precautionary principle, where the need to mitigate risk outweighs the presumption of innocence.

Although this sets an ethical standard, its practical application is another matter. The guidance shows authorities will require evidence of legal acquisition, which may not exist in the case of an heirloom, for instance.

Erika Bocherau, the director general of CINOA, the international art market federation representing around 5,000 dealer globally, has led the negotiations with the Commission on behalf of the market.

She said: “The impact of the new restrictions will be felt by both the trade and private individuals. It is hard to digest that the EU’s new restrictions on the trade of antique worked ivory were approved even though legislators acknowledge that none of the EU Member States have been identified as countries that are implicated in the illicit ivory trade.”

Art marketIvoryIvory ban
Share
Subscribe to The Art Newspaper’s digital newsletter for your daily digest of essential news, views and analysis from the international art world delivered directly to your inbox.
Newsletter sign-up
Information
About
Contact
Cookie policy
Data protection
Privacy policy
Frequently Asked Questions
Subscription T&Cs
Terms and conditions
Advertise
Sister Papers
Sponsorship policy
Follow us
Facebook
Instagram
YouTube
LinkedIn
© The Art Newspaper