Subscribe
Search
ePaper
Newsletters
Subscribe
ePaper
Newsletters
Art market
Museums & heritage
Exhibitions
Books
Podcasts
Columns
Technology
Adventures with Van Gogh
Art market
Museums & heritage
Exhibitions
Books
Podcasts
Columns
Technology
Adventures with Van Gogh
Search
News

Berlin Wall gets its own protective railing

New barrier at East Side Gallery heritage site will keep tourists back

By Catherine Hickley
10 April 2017
Share

What remains of the Berlin Wall, a formidable barrier that separated East from West for 28 years until it was pulled down in 1989, is now getting its own barrier to protect it from tourists. A permanent railing is being installed in the German capital to stop visitors from leaving their own historic mark on it—or from taking a little Cold War relic home with them.

In 1990, 119 artists painted the East Side Gallery on a 1.3km-long expanse of the wall, which was designated a heritage site the following year. It is the longest intact stretch to remain standing and has faced threats from property development and vandalism.

The East Side Gallery, visited by as many as 3.5 million tourists a year, is one of Germany’s most popular sights. Kani Alavi, the president of the artists’ initiative that manages the gallery, says the problem is that not all of the visitors respect its heritage status. Some have tried to chisel away pieces, while others have painted on top of the artists’ works. A Pakistani politician even wrote on it with a pen, he says.

“We have had several people arrested and taken to court, and we want to avoid this,” Alavi says. “We have tried to protect it using a construction hoarding but that means you can’t see the art.”

The local authority for Friedrichshain-Kreuzberg district has agreed to erect a railing, nearly a metre high, around 85cm away from the wall on both sides. Signs in several languages forbidding visitors to paint over or break off pieces of the wall will be posted on the railing. Construction is due to begin in summer 2018.

The East Side Gallery was repainted by the original artists in 2009 and was cleaned and repaired in 2015. In 2012, protestors demonstrated at the site as several segments were removed—with the approval of the local authorities—to make way for a new development on the banks of the river Spree.

NewsConservation & Preservation
Share
Subscribe to The Art Newspaper’s digital newsletter for your daily digest of essential news, views and analysis from the international art world delivered directly to your inbox.
Newsletter sign-up
Information
About
Contact
Cookie policy
Data protection
Privacy policy
Frequently Asked Questions
Subscription T&Cs
Terms and conditions
Advertise
Sister Papers
Sponsorship policy
Follow us
Facebook
Instagram
YouTube
LinkedIn
© The Art Newspaper