Subscribe
Search
ePaper
Newsletters
Subscribe
ePaper
Newsletters
Art market
Museums & heritage
Exhibitions
Books
Podcasts
Columns
Technology
Adventures with Van Gogh
Art market
Museums & heritage
Exhibitions
Books
Podcasts
Columns
Technology
Adventures with Van Gogh
Search
Auctions
news

Object lessons: from Cartier-Bresson Spanish street scene to Bowie's sculptural Auerbach

Our pick of highlights from the week's auctions and Paris Photo

Anna Brady
10 November 2016
Share

Henri Cartier-Bresson, Madrid (1933)  Eric Franck/Augusta Edwards, Paris Photo, 10-13 November  

Priced between €20,000 and €30,000

Adding historical weight to the offerings at Paris Photo fair are vintage photographs from the 19th and 20th centuries, including a number of photographs taken by Henri Cartier-Bresson. The father of reportage photography, Cartier-Bresson travelled across Europe during the 1930s, prowling the streets with a lightweight Leica to record the lives of the poor. One of the most famous from this series is Madrid (1933), in which playful street children are anchored by a portly man walking in the background. 

Frank Auerbach, Head of Gerda Boehm (1965) Bowie/Collector, Sotheby’s London, 10 November 

Estimate £300,000-£500,000

“It will give spiritual weight to my angst. Some mornings I’ll look at it and go, ‘Oh, God, yeah! I know!’ But that same painting on a different day can produce in me an incredible feeling of the triumph of trying to express myself as an artist.” So said David Bowie of Frank Auerbach’s paintings. British art was particularly dear to the late musician. He found Auerbach’s “bas-relief way of painting”, exemplified by this portrait of Auerbach’s cousin, Gerda Boehm, “extraordinary”. Last exhibited at the Royal Academy retrospective in 2001, the rich impasto exemplifies Bowie’s observation that sometimes, with Auerbach, “I’m not really sure if I’m dealing with sculpture or painting.”

Auctions
Share
Subscribe to The Art Newspaper’s digital newsletter for your daily digest of essential news, views and analysis from the international art world delivered directly to your inbox.
Newsletter sign-up
Information
About
Contact
Cookie policy
Data protection
Privacy policy
Frequently Asked Questions
Subscription T&Cs
Terms and conditions
Advertise
Sister Papers
Sponsorship policy
Follow us
Facebook
Instagram
YouTube
LinkedIn
© The Art Newspaper