On the north bank of the River Tay, Scotland’s new museum of design is taking shape. Designed by the Japanese architect Kengo Kuma, it resembles a beached ship. The first major project by a London museum in Scotland, the V&A Museum of Design Dundee represents an opportunity to show the collection of the Victoria and Albert Museum (V&A) to a new audience in the UK.
The process has not been without bumps. Since planning began in 2010, costs have nearly doubled to £80m, making the building the most expensive museum facility in the region. It is scheduled to open in 2018.
Bilbao effect? The Scottish Government and Dundee Council have funnelled millions of pounds into the project in the hope that it will regenerate the city’s waterfront and encourage tourism. Dundee—Scotland’s fourth largest city, its economy built on jute, jam and journalism—has a population of just 150,000. But Philip Long, V&A Dundee’s director, expects the new museum to attract around 350,000 visitors a year. Bob Duncan, the Lord Provost of Dundee, says the museum will “provide jobs and wider economic benefits”.
Amid the growing number of brand-name museums launching regional outposts, the arrangement between London’s V&A and Dundee is an unusual one. The V&A is allowing its name to be used in what is effectively a franchise, initially under a 20-year agreement. It is not providing any funds for the project. Long says that the London museum’s “brand reputation is enormously helpful”.
Compared to the Tate, which runs branches in Liverpool and St Ives, London’s V&A is taking a hands-off approach. V&A Dundee has its own board of trustees and makes decisions on fundraising and programming independently. The London institution does not receive a fee for its support, which includes the loan of objects and exhibitions. The V&A’s director Martin Roth says the project is “part of an ambitious programme to make our collections and expertise more widely available to the public and to promote...the UK creative economy”.
V&A Dundee aims to tell the story of design in Scotland from the 15th century to the present day. The display will include nearly 300 objects, ranging from 18th-century metalwork to Harris Tweed fabrics, and explore themes such as the impact of design on society and Scotland’s global ties.
Around two-thirds of the objects are on long-term loan from the V&A in London. The remainder will be lent by other Scottish collections, including Glasgow Museums, National Museums Scotland in Edinburgh and Paisley Museum and Art Galleries (known for its fine textile collection).
The museum will also have the largest temporary exhibition space in Scotland, one on a par with the best at major London museums. Two-thirds of the exhibitions in V&A Dundee will be coming from the V&A in London.
Bigger budget The cost of building V&A Dundee was originally estimated at £45m, but two years ago the project leaders raised the budget to £80m. The 78% rise in costs was attributed to the complex nature of the building, delays and design changes.
The project is funded by the Scottish Government (£25m), Dundee Council (£12.6m from an economic development scheme and a £6.5m grant), the Heritage Lottery Fund (£12.5m), the UK government (£5m), Creative Scotland’s lottery fund (£4.5m), the Dundee Waterfront project (£4m) and private sources (£7m). A further £3m is still to be raised.
Dundee lands legendary Mackintosh tearoom
Charles Rennie Mackintosh (1868-1928) is widely regarded as Scotland’s greatest designer. The furnishings of one of his finest interiors—the double-height Oak Room made for Miss Cranston’s Ingram Street Tearooms in Glasgow in 1908—are to go on show at V&A Dundee. The furniture was salvaged in 1971 when the original building was demolished, and later acquired by Glasgow Museums. Since then, it has largely languished in store, split into 600 pieces. V&A Dundee helped raise the £400,000 needed to restore the furniture; in return, it will receive the objects on loan for 15 years. They will form the centrepiece of the new museum’s Scottish design gallery. Glasgow Museums is also planning its own major retrospective on Mackintosh for 2018.