Subscribe
Search
ePaper
Newsletters
Subscribe
ePaper
Newsletters
Art market
Museums & heritage
Exhibitions
Books
Podcasts
Columns
Technology
Adventures with Van Gogh
Art market
Museums & heritage
Exhibitions
Books
Podcasts
Columns
Technology
Adventures with Van Gogh
Search
Exhibitions
news

Talking about our generation: photo show celebrates Chinese artists of the 1980s

Xiao Quan’s portraits and street scenes capture the avant-garde during the country’s heady transition

Lisa Movius
26 July 2016
Share

The late 1980s and early 1990s were a heady time of transition in China, particularly for its then nascent avant-garde art scene. The Mao-era restrictions placed upon culture had only been lifted a few years earlier—and then not entirely—and the Tiananmen Square protests and crackdown in the summer of 1989 cast a pall on newfound freedoms.

The photographer Xiao Quan captured that era through black and white portraits of many of China’s artistic pioneers, now on display in the exhibition Our Generation at chi K11 Shanghai (through 31 August). Xiao was a protégée of the French photographer Marc Riboud, whose 20 years in China is depicted in the concurrent exhibition of 170 images by Xiao in another room of the museum.

Combined with street shots of the era, the main show follows the early careers of figures like Raise the Red Lantern director Zhang Yimou. Chinese rock music progenitor Cui Jian is shown both off stage and on, sometimes performing to perplexed soldiers. Literary greats Wang Anyi, San Mao, Wang Shuo and Yu Hua receive cameos, and many images capture the youth of now-establishment artists like Chen Danqing, Fang Lijun, and He Duolin, and the curator Lv Peng, who organised the show.

“Most of my audience is very young, so probably they are not connected to the photos by nostalgia,” Xiao says. “It’s their parents who belong to ‘Our Generation’,” which the artist defines as those born under Mao Zedong and raised under the influence of elder statesman Deng Xiaoping, who is credited with opening China to global markets.

During that time, “China witnessed an unprecedented social and political correction. Deng Xiaoping restored the respect and exploration for truth, knowledge and education. Artists used to be shackled,” Xiao says. But as the Communist government loosened its stranglehold, artists “all worked as volunteers, just like me in the old days, without a penny in our pockets. I was there at the beginning of this dream, just an honest and genuine person, working for what I cherished. This generation is precious and deserves to be remembered by history.”

Exhibitions
Share
Subscribe to The Art Newspaper’s digital newsletter for your daily digest of essential news, views and analysis from the international art world delivered directly to your inbox.
Newsletter sign-up
Information
About
Contact
Cookie policy
Data protection
Privacy policy
Frequently Asked Questions
Subscription T&Cs
Terms and conditions
Advertise
Sister Papers
Sponsorship policy
Follow us
Facebook
Instagram
YouTube
LinkedIn
© The Art Newspaper