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Artists’ Film Biennial at ICA London brings new and rarely seen works to the big screen

Second edition focuses on developments and trends, with input from artists, curators and industry heavyweights

Gareth Harris
27 May 2016
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The Institute of Contemporary Arts in London (ICA; until 29 May) is hosting the second Artists’ Film Biennial, with programmes overseen by artists and curators, workshops for emerging film-makers and a special group-screening featuring films made in the past two years.

“The ICA becomes a base for the UK’s moving-image organisations to come together, share in presentations and confer on their approaches and system of support for artist film-makers,” says Steven Cairns, the ICA associate curator of artists’ film and moving image. The event follows on from the ICA’s Artists’ Film Club, a monthly programme of artists’ films.

Artists Ahmet Ögüt, Charlotte Prodger, Martine Syms and Ming Wong have compiled their own screening schedules: Ögüt has selected works such as The Girl Chewing Gum (1976) by John Smith and Cristina Lucas’s Touch and Go (2010). The Berlin-based curator, Saim Demircan, and Hanne Mugaas, the director of the Kunsthall Stavanger in Norway, have also organised film programmes.

An open call for works by international emerging film-makers drew more than 300 submissions. Eight entries were subsequently selected for the group screening, entitled Outside, from participants such as Amir Ghazi-Noory and Patrick Rowan. “The quality of the works submitted was extremely high. The resulting programme is a tight, fast-paced, tour de force of some of the best work from the next generation of artists’ film-makers,” Cairns says.

A workshop for young film-makers aged 16 to 24 is also scheduled as part of the ICA’s ongoing series Stop Play Record.  

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