Subscribe
Search
ePaper
Newsletters
Subscribe
ePaper
Newsletters
Art market
Museums & heritage
Exhibitions
Books
Podcasts
Columns
Technology
Adventures with Van Gogh
Art market
Museums & heritage
Exhibitions
Books
Podcasts
Columns
Technology
Adventures with Van Gogh
Search
Art market
archive

Was the Knoedler gallery warned about fakes?

The family of the artist Richard Diebenkorn says it alerted the gallery to fakes before they were sold

The Art Newspaper
31 May 2012
Share

The ongoing saga of forgeries purportedly sold by the New York-based Knoedler gallery, which closed last November, continues as the family of the artist Richard Diebenkorn says it alerted the gallery to fakes before they were sold.

Richard Grant, the artist’s son-in-law and the executive director of the Diebenkorn Foundation, told the New York Times last month that he visited the gallery and met its former president, Ann Freedman, in 1993.

John Elderfield, the former chief curator at New York’s Museum of Modern Art, now with Gagosian Gallery, and Gretchen Grant, Diebenkorn’s daughter, were also present, according to Grant. “While the passage of time has made details blurry, we do remember seeing drawings, indicating that we knew nothing about them,” he told The Art Newspaper.

Neither the Diebenkorn Estate nor the Diebenkorn Foundation has instigated legal proceedings. The New York Times reports that Ann Freedman’s lawyer has evidence suggesting that the family approved the works they saw, but Grant told The Art Newspaper that he is not aware of any “evidence that anyone in the family ever approved any of these works”.

Last month, Freedman and the Knoedler gallery filed a motion to dismiss a $17m lawsuit brought in 2011 by the hedge fund manager Pierre Lagrange, over an alleged fake painting purportedly by Jackson Pollock.

At the time of going to press, Freedman was unavailable for comment.

Art marketLawArt crimeFakes & copiesKnoedlerForgeries
Share
Subscribe to The Art Newspaper’s digital newsletter for your daily digest of essential news, views and analysis from the international art world delivered directly to your inbox.
Newsletter sign-up
Information
About
Contact
Cookie policy
Data protection
Privacy policy
Frequently Asked Questions
Subscription T&Cs
Terms and conditions
Advertise
Sister Papers
Sponsorship policy
Follow us
Facebook
Instagram
YouTube
LinkedIn
© The Art Newspaper