Subscribe
Search
ePaper
Newsletters
Subscribe
ePaper
Newsletters
Art market
Museums & heritage
Exhibitions
Books
Podcasts
Columns
Technology
Adventures with Van Gogh
Art market
Museums & heritage
Exhibitions
Books
Podcasts
Columns
Technology
Adventures with Van Gogh
Search
Leonardo da Vinci
archive

Salvator Mundi Leonardo attribution: it’s all in the hand of the master

Proof of changes to the composition increases scholarly support

Martin Bailey
31 August 2011
Share

The hand of Christ was among the clues that led scholars to accept the newly rediscovered Salvator Mundi (Saviour of the World) as a Leonardo (see pp38-39). After it was bought by a New York dealer, crude overpainting and discoloured varnish (some visible in a 1908 black-and-white photograph) were removed. Minor changes in the composition were noted, suggesting that it was not a copy (as had been assumed), but the lost original. The thumb of Christ’s blessing hand was initially more vertical than in the finished picture. Specialists now accept it as an authentic Leonardo of 1498-1506. It will be unveiled at London’s National Gallery in its Leonardo show (9 November-5 February 2012).

Originally appeared in The Art Newspaper as 'Leonardo: it’s all in the hand of the master'

Leonardo da VinciArt marketAttributionNational GallerySalvator MundiProvenance
Share
Subscribe to The Art Newspaper’s digital newsletter for your daily digest of essential news, views and analysis from the international art world delivered directly to your inbox.
Newsletter sign-up
Information
About
Contact
Cookie policy
Data protection
Privacy policy
Frequently Asked Questions
Subscription T&Cs
Terms and conditions
Advertise
Sister Papers
Sponsorship policy
Follow us
Facebook
Instagram
YouTube
LinkedIn
© The Art Newspaper